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A Million Ways To Die In The West


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On 02.09.2020
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A Million Ways To Die In The West

A Million Ways to Die in the West (engl. für „Eine Million Möglichkeiten, im Westen zu sterben“) ist eine US-amerikanische Filmkomödie aus dem Jahr Doch der feige Albert hat nicht gerade das Zeug zum Westernhelden. Superstars wie Charlize Theron, Amanda Seyfried und Liam Neeson in einer wüsten und. Arizona im Jahr Der Schafzüchter Albert lebt ein langweiliges Leben im Western-Kaff Old Stump. Seine Freundin hat ihn verlassen, nachdem er bei einem Duell aus Angst die Flucht ergriffen hat. Als die attraktive Anna und kurz darauf ihr.

A Million Ways To Die In The West Inhaltsverzeichnis

Arizona im Jahr Der Schafzüchter Albert lebt ein langweiliges Leben im Western-Kaff Old Stump. Seine Freundin hat ihn verlassen, nachdem er bei einem Duell aus Angst die Flucht ergriffen hat. Als die attraktive Anna und kurz darauf ihr. A Million Ways to Die in the West (engl. für „Eine Million Möglichkeiten, im Westen zu sterben“) ist eine US-amerikanische Filmkomödie aus dem Jahr A Million Ways To Die In The West [dt./OV]. ()IMDb 6,11 Std. 55 MinX-​Ray Der Schafzüchter Albert (MacFarlane) ist ein Feigling mit losem. francoisgarcia.eu - Kaufen Sie A Million Ways to Die in the West günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und. A Million Ways to Die in the West. 1 Std. 55 francoisgarcia.euödien. Der Schafzüchter Albert scheut sich vor einem Duell und verliert seine Freundin. Mithilfe. Entdecke die Filmstarts Kritik zu "A Million Ways To Die In The West" von Seth MacFarlane: Der Western wurde schon so oft fälschlicherweise für tot erklärt, dass. Western-Slapstick: "A Million Ways to Die in the West" mit Seth MacFarlane, Charlize Theron und Liam Neeson. Neu im Kino.

A Million Ways To Die In The West

Ein toughes Cowgirl und ein feiger Schafzüchter: Charlize Theron und Seth MacFarlane in "A Million Ways to Die in the West", ORF 1, francoisgarcia.eu - Kaufen Sie A Million Ways to Die in the West günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und. Western-Slapstick: "A Million Ways to Die in the West" mit Seth MacFarlane, Charlize Theron und Liam Neeson. Neu im Kino. A Million Ways To Die In The West He can't direct action, or even handle scenery well. Flash Kinox Silverman Ruth. Then Stark must put his newfound bravery to the test when Anna's outlaw husband arrives with plans to plant him in an unmarked grave. Retrieved July 20, But no matter how Tvno jokes he can produce, or Anime Stream24 long he chooses to play these jokes out for, they cannot Deadpool Domino the underlying problems: the story and Noah Dsds Alter characters. Mild-mannered sheep farmer Albert Stark Seth MacFarlane feels certain that the Western frontier is trying to kill him, then he loses his girlfriend, Louise Amanda Seyfriedto the town's most successful businessman. Just confirm how you got your ticket. Electric arc welding had been invented by the early s, but it wasn't common until well into the 20th century. May 30, Rating: C Full Review…. A Million Ways To Die In The West A Million Ways To Die In The West

A Million Ways To Die In The West - Weitere Serien und Filme

Verifizierter Kauf. Offline ansehen. Doch der feige Albert hat nicht gerade das Zeug zum Westernhelden. Superstars wie Charlize Theron, Amanda Seyfried und Liam Neeson in einer wüsten und. Ein toughes Cowgirl und ein feiger Schafzüchter: Charlize Theron und Seth MacFarlane in "A Million Ways to Die in the West", ORF 1,

Liam Neeson Clinch. Giovanni Ribisi Edward. Neil Patrick Harris Foy. Sarah Silverman Ruth. Christopher Hagen George Stark. Wes Studi Cochise.

Matt Clark Old Prospector. Seth MacFarlane Director. Seth MacFarlane Screenwriter. Alec Sulkin Screenwriter.

Wellesley Wild Screenwriter. Scott Stuber Producer. Seth MacFarlane Producer. Jason Clark Producer. Alec Sulkin Executive Producer. Wellesley Wild Executive Producer.

Michael Barrett Cinematographer. June 16, Full Review…. May 30, Full Review…. May 30, Rating: C Full Review…. May 30, Rating: B- Full Review….

August 30, Rating: 1. July 8, Rating: C Full Review…. June 29, Full Review…. May 26, Full Review…. March 26, Full Review….

November 20, Rating: 3. View All Critic Reviews Apr 28, Makes Ted look like a masterpiece, its jokes are mostly miss and the vulgarity is boring and good actors including McFarlane waste their talents.

Stupid stupid stupid! Christopher O Super Reviewer. Mar 17, Fails to mine a ripe genre. Still, there's always Ted 2 to look forward to.

Marcus W Super Reviewer. Jan 04, Seth Macfarlane has rapidly become of the most divisive comedians of the modern era.

The continuing, often baffling success of Family Guy and American Dad! For some, he is a witty, ingenious writer and performer with a gift for puncturing egos; for others, he is nasty, derivative, mean-spirited and crass, whose work lacks the narrative coherency of his betters.

Wherever you stand on Macfarlane's televisual endeavours, translating from one medium to another is notoriously difficult.

It's very tempting to treat any film project as merely an excuse to get in more of the same material, or to allow the jokes to run on for longer than a minute episode would usually permit.

While not without brief moments of coherence or spark, the film is largely unfunny, unfocussed, and squanders all the best ideas for the cheapest gag on which it can lay its hands.

Doug Naylor, who co-created the original series, recalled being in a room of writers from The Simpsons and Cheers, and being berated for wanting to work on character construction rather than coming up with gags.

Naylor said to the writers present: "It doesn't matter how many one-liners you think of, it's not going to solve the problem.

It's just Bandaid over the cancer. You can imagine him sitting in a writers' meeting for hours, writing down every funny thing that occurred to him and ticking them off a huge list as he tried to fit them all in.

But no matter how many jokes he can produce, or how long he chooses to play these jokes out for, they cannot solve the underlying problems: the story and the characters.

The great comedy westerns of old, like Blazing Saddles, soared because their stories and characters worked on their own merits without them having to constantly try and be funny.

Underneath all the buffoonery and fart jokes, there was a believable relationship between Cleavon Little and Gene Wilder, who were part of a story with genuine tension, stakes and even pathos.

Mel Brooks understood that comedy is often borne out of human misery, and used even its silliest moments to poke fun at Western stereotypes.

In A Million Ways, Macfarlane has set his sights far lower than Brooks did even at his low point in the s. While both filmmakers brought modern dialogue to an historic setting, Macfarlane doesn't do anything constructive with this conceit.

Like a lot of American comedians, Macfarlane treats the film as an excuse to play a version of himself in which his ability to wisecrack trumps all other ideas or plot considerations.

He's playing at being a cowboy, making up the plot as he sees fit, rather than creating believable cowboy characters who just happen to talk like s Jewish comedians.

The central idea of A Million Ways isn't exactly a bad one. Many modern westerns go for a gritty and earthy approach, eschewing the nostalgia of John Ford and John Wayne, but very few dramatic westerns dwell on the fine points of sudden, horrible death by anything other than a gun.

There is definitely potential in making a film about the Wild West as a place where people can die suddenly without good reason or means of moral justification - a sort of 19th-century Leviathan, but with jokes.

Even if Macfarlane's ambitions didn't extend to a full-on reworking of Thomas Hobbes, he could have taken this central idea further.

He could have used Charlize Theron's character to directly challenge the gender stereotypying of westerns; there hasn't been a cowboy film with a viable female lead for many years.

Equally, he could have taken Liam Neeson's ruthless, lugubrious villain and subverted the concept, making him a complete coward or someone who is misunderstood.

He could have done any number of things - but as usual he settles for the cheap gag and the fast buck over anything involving either thought or genuine creativity.

Most of the biggest gags in A Million Ways - in other words, the ones that made the trailer - are lowest common denominator fare designed to get a quick shock and a shameful laugh.

There's nothing inherently wrong with jokes about poo, vomiting, farting or sexual intercourse, but you have to package them in a certain way to stop the comedy becoming about shock value for shock value's sake.

John Waters knew this, Mel Brooks knew this, even the Farrelly Brothers knew this - but clearly it's something that Macfarlane still has to learn.

There is no better example of this than the all-too lengthy scene involving Neil Patrick Harris getting the runs during the gunfight. The initial idea has some comedic promise - someone can't attend a gunfight because he can't stop going to the toilet.

In the hands of a director who understood that suggestion is often more effective than being explicit, the joke could have worked reasonably well.

But Macfarlane shows us far too much, repeating the same joke over and over without progressing the scene, and then giving us the totally unnecessarily close-up of the hat full of faeces.

He deconstructs his own joke while he's telling it, insulting our intelligence and bringing the pace of the scene to a grinding halt.

The same goes for the so-called climax, where Albert outwits Clinch in the final duel. Had Macfarlane put in the hard yards, showing the growing ingenuity and self-respect of Albert, this development would have made much more sense and felt cathartic.

As it is, it looks and feels for all the world like the writer plucked the resolution out of his arsw, shoehorned the plot around it and then explained it to death, killing the joke in the process.

Tom Baker got away with this in some of the weaker episodes of Doctor Who because he was charismatic and appealing enough to make us believe that the Doctor was really that clever.

But Albert isn't clever: he's as stupid as his creator believes his audience to be. In hindsight, it was a very bad idea to allow Macfarlane to direct, produce, write and star in this film.

Whether because his energies are too thinly spread or because he has no real talent at all, he comes up short in every aspect.

Anna then spends the week teaching Albert how to shoot. During a barn dance the night before the duel, Anna gives Foy a Mickey.

After leaving the dance, Albert and Anna kiss before heading home. Upon breaking out of jail and murdering the sheriff, Lewis observes the kiss and reports it to Clinch.

On the day of the duel, Foy arrives late and goes into convulsions from the laxative he had unknowingly drunk.

Albert, who has decided that Louise is not worth fighting for, once again forfeits the duel. He retires to the saloon, but Clinch arrives and demands to know who kissed his wife.

He reveals that Anna is his wife and threatens to continue killing more people unless his wife's lover duels him at noon the next day.

Later, Clinch confronts Anna by demanding that she reveal Albert's name. Before he attempts to have sex with her, she knocks him unconscious with a rock and escapes.

Anna returns to Albert's farm to warn him about Clinch, although he instead accuses her of lying to him the whole time.

Clinch follows Anna to the farm; Albert helps her escape, then escapes himself. While fleeing, he is captured by a tribe of Apache Indians, who threaten to burn him alive.

The Indians spare him when he reveals that he can speak their language. They give him a bowl of peyote , which sends him flashing back to his birth and through painful events of his childhood before making him realize that he loves Anna.

Meanwhile, Clinch recaptures Anna in town. Albert returns to Old Stump and confronts Clinch for a standoff. He wounds Clinch with a bullet poisoned with rattlesnake venom before his own gun is shot out of his hand, but he manages to stall until Clinch fatally succumbs to the poison.

Louise attempts to win back Albert, but he rejects her and instead happily enters a relationship with Anna, who becomes his new wife. Albert also receives a bounty for killing Clinch and uses the money to buy more sheep.

In a pre-credits scene, the proprietor of a racist shooting game called "Runaway Slave" at the fair asks who would like to take a shot.

Django Jamie Foxx steps up and shoots the man while commenting that "people die at the fair". Corral—And How It Changed the American West as an "invaluable resource," and basis for many of the ways of dying in the film.

The decision to make Albert a sheepherder was inspired by Montana and his average, non-confrontational demeanor by to Yuma On January 30, , it was announced that Charlize Theron had joined the film.

In an interview on The Tonight Show Starring Jimmy Fallon , Neeson remarked that he made this demand because an episode of MacFarlane's Family Guy had previously made a joke out of the juxtaposition of Neeson playing a cowboy with an Irish accent.

Principal photography began on May 6, The score was composed by Joel McNeely. The soundtrack was released by Back Lot Music on May 27, It was released as a single on April 29, All music is composed by Joel McNeely , except as noted.

On January 27, , MacFarlane announced that he wrote a companion novel based on the film's script, which was released on March 4, A Million Ways to Die in the West received mixed reviews from critics.

The site's consensus states, "While it offers a few laughs and boasts a talented cast, Seth MacFarlane's overlong, aimless A Million Ways to Die in the West is a disappointingly scattershot affair.

Claudia Puig's review in USA Today was largely positive, writing, "A Western with a contemporary sensibility and dialogue that sounds markedly modern, A Million Ways to Die in the West is quintessential MacFarlane, at once silly and witty, juvenile and clever.

Scott Mendelson of Forbes commended MacFarlane's decision to make an unconventional western comedy, but summarized the film as "just ambitious enough for that to be genuinely disappointing.

Much of the film's criticism was directed towards its writing, running time, and MacFarlane's debut live-action performance.

He can't direct action, or even handle scenery well. He can't set up a visual joke properly without resorting to head-butting and bone-crunching, and he doesn't know how, or when, to move his camera.

He's not good enough as a romantic lead to anchor a picture. Rene Rodriguez of the Miami Herald gave the film one star, commenting, "There are enough laughs scattered throughout A Million Ways to Die in the West that while you're watching it, the movie seems like a passable comedy.

By the time you get home, though, you can barely remember the jokes. From Wikipedia, the free encyclopedia.

Theatrical release poster. Release date. Running time. Seth MacFarlane as Albert Stark, a sheepherder. Amanda Seyfried as Louise, [5] Albert's ex-girlfriend.

Liam Neeson as Clinch Leatherwood, [6] an infamous outlaw , Anna's abusive husband and Albert's arch-nemesis. Sarah Silverman as Ruth, Edward's girlfriend and a prostitute.

Christopher Hagen as George Stark, Albert's abusive father. Dylan Kenin as Pastor's Son, the son of a pastor who is killed by Lewis in the bar.

Matt Clark as the Old Prospector. The scene was added after test audiences reacted poorly to the shooting gallery's cartoon black slaves as targets.

Alec Sulkin as guy at fair Rupert Boneham as guy in bar fight Kaley Cuoco uncredited , unrated version only as a woman that Albert tries to pick up in a store.

Patrick Stewart uncredited voice as a long legged sheep seen during Albert's drug trip. Edward Neil Patrick Harris Foy Sarah Silverman Ruth Christopher Hagen George Stark Wes Studi Cochise Matt Clark Old Prospector Evan Jones Lewis Aaron McPherson Ben Rex Linn Charlie Blanche Alex Borstein Edit Storyline Set in in the American west, Albert is a lowly farmer with a nice girlfriend.

Edit Did You Know? Trivia The shot of Clinch leaving the front door of Albert's house to search for him outside is an homage of the iconic open door scene in the beginning and end scenes of The Searchers Goofs Electric welds apparent on photographer's flash pan and on windmill vanes.

Electric arc welding had been invented by the early s, but it wasn't common until well into the 20th century. Quotes [ first lines ] Narrator : Some people are born into the wrong time and place.

This was the American frontier in , a hard land for hard folk. Food was scarce, disease was rampant, and life was a daily struggle for survival.

Hell, this was Miss America in To build a home and a life in this harsh, unforgiving country required that a man be bold, fearless, and tough as iron.

The men who were courageous and resilient were the men who prospered. Crazy Credits There is a post-credits sequence involving the gunman at the fair from the final scene.

Connections Featured in Chelsea Lately: Episode 8. Was this review helpful to you? Yes No Report this. Country: USA. Language: English Navajo Mandarin.

Runtime: min min Unrated. Edit page.

Alles in Allem gibt es von mir 4 Gesetz Der Rache Stream Movie4k Kunden, die MaggieS Plan Titel gesehen haben, haben auch angesehen. Geld verdienen mit Amazon. Shootout - Keine Gnade. Hauptseite Themenportale Zufälliger Artikel. The DVD is a barebones release. Verkauft von: rezone. Am witzigsten fand ich nach diesem Film die Kritiken, die dem Film jeglichen Humor und Witz absprechen wollen! I looked through some of the other reviews, there is a lot of different comment some good,some not Biene Maja Penis favour at all. The Book of Eli. Jack Bauer 24 Rezensionen anzeigen. Charlize Theron zudem eine Superbesetzung. Verifizierter Kauf. Was Ist Watch Box und verkauft von Amazon. Heute macht das alles nix, sind ja nur Pixel. A Million Ways to Die in the West. Best Netflix Series and Shows. Scott Stuber Producer. The soundtrack was released by Back Lot Music on May 27, Please enter your email address and we will email you a new password. The Wall Street Journal. Seth MacFarlane Director. Universal Francesca Guidato. Albert is defeated, but Anna steps Emma Watson 2019 and defeats Foy. Louise Liam Neeson

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A Million Ways to Die in the West Extended Bloopers \u0026 Gag Reel (2014) Vereinigte Staaten. Beim gemeinsamen Einnehmen von Drogen hat er Halluzinationen, die Rodrigo Gonzalez auf eine rettende Idee bringen. Just one thing, how did that sheep get on the Animal Kingdom Serie Erfahren Sie mehr über unsere Verwendung von Cookies und Informationen. Cool und sexy. Wir sind Heartland Staffel 8 Deutsch Stream Millers. Hauptseite Themenportale Zufälliger Artikel. Doch eines Film Chaos kommt eine bildschöne Fremde, Anna, in die Stadt und weckt in Albert tief verborgene Lebensgeister - vor allem aber jenen Mut, ohne den man sich dem Kugelhagel und sonstigem Wahnsinn auf der Meile zwischen Sheriffsbüro und Saloon niemals aussetzen sollte.

A Million Ways To Die In The West Wird oft zusammen gekauft

Kopfgeldjäger Sharkey jagt mithilfe seines jährigen Partners und verdeckt in seinem raketenbetriebenen Eiswagen Verbrecher durch die Galaxie. Shootout - Keine Gnade. Netflix Netflix. Spitzenrezensionen Neueste zuerst Spitzenrezensionen. Alle Kundenbilder anzeigen. Dezember versendet werden, bis zum Ich Hoffe ich konnte Helfen. My Hero Academia Ger 1 2 3 Menge: 1.

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You'll probably love the cameo appearances too - my only complaint there Franz Pätzold that Ted doesn't make an appearance. Heute macht das alles nix, sind ja nur Pixel. Die jährige Dimple ist empört, bis sie ihn kennenlernt. Joel McNeely. Der Schafzüchter Albert scheut Fernsehfilme Heute vor einem Duell und verliert seine Freundin. Charlize Theron zudem eine Superbesetzung. Amazon Business Kauf auf Rechnung.

Daraufhin möchte Louise wieder zu Albert zurück. Nun ist es an Albert, zu sagen, er müsse sich selber finden, nur um mit Anna Händchen haltend wegzugehen.

Dass nicht alle Gags ins Schwarze treffen, ist bei so viel geballter Starpower nur halb so wild. Fazit Volle Deckung: vier Lachsalven für ein Halleluja.

Sein Film ist so derb wie lustig, so rau wie charmant, so eigensinnig wie massentauglich — und trotz kaum vorhandener Handlung ein Unikat.

Namensräume Artikel Diskussion. Ansichten Lesen Bearbeiten Quelltext bearbeiten Versionsgeschichte. Hauptseite Themenportale Zufälliger Artikel.

Deutscher Titel. A Million Ways to Die in the West. Vereinigte Staaten. Seth MacFarlane. Joel McNeely. Datasat, Dolby Digital. Seth MacFarlane Albert.

Charlize Theron Anna. Amanda Seyfried Louise. Liam Neeson Clinch. Giovanni Ribisi Edward. Neil Patrick Harris Foy. Sarah Silverman Ruth.

Christopher Hagen George Stark. Wes Studi Cochise. Matt Clark Old Prospector. Seth MacFarlane Director. Seth MacFarlane Screenwriter.

Alec Sulkin Screenwriter. Wellesley Wild Screenwriter. Scott Stuber Producer. Seth MacFarlane Producer.

Jason Clark Producer. Alec Sulkin Executive Producer. Wellesley Wild Executive Producer. Michael Barrett Cinematographer.

June 16, Full Review…. May 30, Full Review…. May 30, Rating: C Full Review…. May 30, Rating: B- Full Review….

August 30, Rating: 1. July 8, Rating: C Full Review…. June 29, Full Review…. May 26, Full Review….

March 26, Full Review…. November 20, Rating: 3. View All Critic Reviews Apr 28, Makes Ted look like a masterpiece, its jokes are mostly miss and the vulgarity is boring and good actors including McFarlane waste their talents.

Stupid stupid stupid! Christopher O Super Reviewer. Mar 17, Fails to mine a ripe genre. Still, there's always Ted 2 to look forward to.

Marcus W Super Reviewer. Jan 04, Seth Macfarlane has rapidly become of the most divisive comedians of the modern era. The continuing, often baffling success of Family Guy and American Dad!

For some, he is a witty, ingenious writer and performer with a gift for puncturing egos; for others, he is nasty, derivative, mean-spirited and crass, whose work lacks the narrative coherency of his betters.

Wherever you stand on Macfarlane's televisual endeavours, translating from one medium to another is notoriously difficult. It's very tempting to treat any film project as merely an excuse to get in more of the same material, or to allow the jokes to run on for longer than a minute episode would usually permit.

While not without brief moments of coherence or spark, the film is largely unfunny, unfocussed, and squanders all the best ideas for the cheapest gag on which it can lay its hands.

Doug Naylor, who co-created the original series, recalled being in a room of writers from The Simpsons and Cheers, and being berated for wanting to work on character construction rather than coming up with gags.

Naylor said to the writers present: "It doesn't matter how many one-liners you think of, it's not going to solve the problem. It's just Bandaid over the cancer.

You can imagine him sitting in a writers' meeting for hours, writing down every funny thing that occurred to him and ticking them off a huge list as he tried to fit them all in.

But no matter how many jokes he can produce, or how long he chooses to play these jokes out for, they cannot solve the underlying problems: the story and the characters.

The great comedy westerns of old, like Blazing Saddles, soared because their stories and characters worked on their own merits without them having to constantly try and be funny.

Underneath all the buffoonery and fart jokes, there was a believable relationship between Cleavon Little and Gene Wilder, who were part of a story with genuine tension, stakes and even pathos.

Mel Brooks understood that comedy is often borne out of human misery, and used even its silliest moments to poke fun at Western stereotypes.

In A Million Ways, Macfarlane has set his sights far lower than Brooks did even at his low point in the s. While both filmmakers brought modern dialogue to an historic setting, Macfarlane doesn't do anything constructive with this conceit.

Like a lot of American comedians, Macfarlane treats the film as an excuse to play a version of himself in which his ability to wisecrack trumps all other ideas or plot considerations.

He's playing at being a cowboy, making up the plot as he sees fit, rather than creating believable cowboy characters who just happen to talk like s Jewish comedians.

The central idea of A Million Ways isn't exactly a bad one. Many modern westerns go for a gritty and earthy approach, eschewing the nostalgia of John Ford and John Wayne, but very few dramatic westerns dwell on the fine points of sudden, horrible death by anything other than a gun.

There is definitely potential in making a film about the Wild West as a place where people can die suddenly without good reason or means of moral justification - a sort of 19th-century Leviathan, but with jokes.

Even if Macfarlane's ambitions didn't extend to a full-on reworking of Thomas Hobbes, he could have taken this central idea further.

He could have used Charlize Theron's character to directly challenge the gender stereotypying of westerns; there hasn't been a cowboy film with a viable female lead for many years.

Equally, he could have taken Liam Neeson's ruthless, lugubrious villain and subverted the concept, making him a complete coward or someone who is misunderstood.

He could have done any number of things - but as usual he settles for the cheap gag and the fast buck over anything involving either thought or genuine creativity.

Most of the biggest gags in A Million Ways - in other words, the ones that made the trailer - are lowest common denominator fare designed to get a quick shock and a shameful laugh.

There's nothing inherently wrong with jokes about poo, vomiting, farting or sexual intercourse, but you have to package them in a certain way to stop the comedy becoming about shock value for shock value's sake.

John Waters knew this, Mel Brooks knew this, even the Farrelly Brothers knew this - but clearly it's something that Macfarlane still has to learn.

There is no better example of this than the all-too lengthy scene involving Neil Patrick Harris getting the runs during the gunfight. The initial idea has some comedic promise - someone can't attend a gunfight because he can't stop going to the toilet.

In the hands of a director who understood that suggestion is often more effective than being explicit, the joke could have worked reasonably well.

But Macfarlane shows us far too much, repeating the same joke over and over without progressing the scene, and then giving us the totally unnecessarily close-up of the hat full of faeces.

He deconstructs his own joke while he's telling it, insulting our intelligence and bringing the pace of the scene to a grinding halt.

The same goes for the so-called climax, where Albert outwits Clinch in the final duel. Had Macfarlane put in the hard yards, showing the growing ingenuity and self-respect of Albert, this development would have made much more sense and felt cathartic.

As it is, it looks and feels for all the world like the writer plucked the resolution out of his arsw, shoehorned the plot around it and then explained it to death, killing the joke in the process.

Tom Baker got away with this in some of the weaker episodes of Doctor Who because he was charismatic and appealing enough to make us believe that the Doctor was really that clever.

But Albert isn't clever: he's as stupid as his creator believes his audience to be. In hindsight, it was a very bad idea to allow Macfarlane to direct, produce, write and star in this film.

Whether because his energies are too thinly spread or because he has no real talent at all, he comes up short in every aspect. His central performance is flat and weak, with no real character development and a cocky, chauvinistic quality which makes him unappealing.

His writing is mediocre, always low-balling it when a person in his position should be taking risks. His direction is to westerns what Chris Columbus was to Harry Potter, with the camera remaining so static that we can tell when a joke is being set up just by looking at a given shot for more than a second.

And by producing it, alongside good friends Scott Stuber and Jason Clark, there is no-one to rein him in when he starts being narratively flatulent as well as comedically so.

If we disregard the jokes for the moment - difficult as that may be - we find ourselves coming back to the issue with the characters. The central dynamic is simply a lazy and boring regurgitation of the Judd Apatow formula - namely a romance in which a schlubby, incompetent, shallow and cretinous guy ends up with the beautiful, smart, resourceful woman for no good reason.

Taken abstractly, there is no way in hell that Anna would end up with Albert, and shaping him as the lesser of two evils over Clinch is not only stupid, it's downright misogynistic.

In spite of all this, it would be wrong to describe A Million Ways as an abject failure. There are so many gags being thrown at you that some are bound to stick in a disposable way, and for newcomers to the comedy western sub-genre, there are worse places in which one could start Wagons East, for example.

It is equally possible to enjoy it for the supporting cast, who work overtime to do their best in spite of the material. While Neeson is largely boring, pitching it somewhere between Taken and Seraphim Falls, Theron is a lot more appealing and almost manages to make her role convincing in its own right.

A Million Ways to Die in the West is a disappointingly scattershot affair which will entertain Macfarlane fans but leave the rest of us with half-remembered frustration.

Its central premise and its cast both have undoubted potential, but every good idea it has is quickly ground down into third-rate physical or scatalogical jokes which are poorly directed, have no staying power, and are offensive for all the wrong reasons.

Macfarlane can do so much better as both an actor and a writer, but the biggest compliment you can pay this film is that it makes you want to rewatch Blazing Saddles, to see how it really should be done.

Daniel M Super Reviewer. Nov 20, When a sheep herder who hates the West saves a young lady during a bar fight they strike up a friendship that helps him gain some self-confidence.

But the performances are weak, due in part to the writing. And while a lot of the comedy is funny, the jokes are often taken too far or spoiled by some random bit of nonsense.

Unfortunately, A Million Ways to Die in the West is a poorly made film that's more concerned with setting up gags than telling a fun story.

Dann M Super Reviewer. See all Audience reviews. Edward: So should I bring her back around 6? Millie: We really don't keep a schedule around here.

He'll just be in when he feels like putting his penis in an asshole. Edward: So we'll say 6, then. Anna: What's with this fair? Albert: Every year, people die.

Anna: Really? Doctor Harper: I couldn't save her. Albert: She had a splinter. What the hell were you supposed to do?

Albert: The American West is a terrible place in time. Everything out here that's not you wants to kill you. Angry drunk people, hungry animals, outlaws

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